Making One
John Lithgow wrote a wonderful introduction to W. H. Auden in his book The Poets' Corner. It begins: "W. H. Auden was the furthest thing from the sensitive poet holed up in a garret. . . ." It's a fun read if you choose to look it up. The poem reproduced in this book is famous, and justly so. I hope you enjoy.
Musee des Beaux Arts
W. H. Auden
About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.
About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.
I previously posted "No One Will Ever Know," my poem which most closely relates to this idea of suffering--and joy--being of personal, not global, importance. So I have to choose another. A retired Indian Pastor I met on the metro in Baltimore shared a proverb with me: A sorrow shared is a sorrow halved, and a joy shared is a joy doubled. Maybe personal, passing suffering can be something we choose to make significant, as well as personal, passing joys.
Brother Jones
2000
My
friend is quiet, his voice is mild, his smiles
are
soft, and when we talk it never lasts
too
long. He’s never touched me, and our pasts
have
only met, our futures spread out miles
and
miles apart. My life is mine to live;
he’ll
not intrude. Yet he has listened to
the
Spirit whisper what I need, and through
His
stillness knew just how to give.
He
listened, taught, fought, and loved to show
me
how to fight in peace and grow beyond
the
fears of man by taking up the trials
of
humankind one thought, one step, one mo-
ment
at a time. Now we must hope this bond
of
friendship might help friends across the miles.
This was about Stephen Jones, the BYU physicist who taught my Senior Religion Seminar for science majors. It was a wonderful course. One of the most memorable days was when he shared his personal thoughts and experiences on how Charity can help us deal with mental illness. Every year I learn a little more how right he was when it comes to enduring change.
